The rainbow connection

[Originally posted on Chuck's Stage Left blog and used with permission.]

“Identity’s difficult. I suppose it brings about social cohesion, but it’s not much fun if you don’t quite fit. Being gay, for example, used to be pretty miserable. Or being a Protestant in a place like Ireland when the Catholic Church ruled the roost. Or being a woman in Ireland under the thumb of all those priests. Those big, dominant entities have been weakened, I suppose, but I think that might be a good thing, on balance. It’s allowed other identities to flourish.” – Isabel Dalhousie in Alexander McCall Smith’s The Forgotten Affairs of Youth

Briefs logo

Briefs logo by Michael Perkins

The fact that I read this passage the afternoon before the final dress rehearsal for the Vital Voice/That Uppity Theatre Company co-production of Briefs: A Festival of Short Lesbian and Gay Plays (which runs Friday through Sunday, February 24-26) is one of life’s little synchronicities. Ditto the fact that it followed hard on the heels of yet another revelation about Sen. Rick Santorum’s conviction that any divergence from his twisted mockery of Christianity is the work of The Prince of Darkness.

I’ll leave others to deal with the senator’s weirdly Freudian politics. I’d like to talk about how that passage resonates with our show.

Because if Briefs is about anything, it’s about the fluidity of identity and the diversity that comes from it.

Some of the characters in our seven plays are gay and lesbian, but others are straight, bi, transgendered, and even figments of other characters’ imaginations. They (and the actors playing them, including yours truly) represent the variety of ages, ethnicities, gender, body types, beliefs, and sexual preferences that is the real hallmark of America. We are and (for most of our history) have been a spectacular spectrum of a nation—a virtual rainbow of humanity.

If America is about anything, it’s about diversity.

And that, no matter what some people will try to tell you, is a good thing. Diversity in nature increases resistance to extinction. Diversity in the workplace leads to smarter teams and better problem solving. Diversity is a source of strength. E pluribus unum.

Briefs plays Friday through Sunday this weekend at Pa Perla, 312 North 8th Street, across from the Old Post Office. The initial run of tickets has sold out, so the producers have added seats for each show. Order yours at brownpapertickets.com and join us in our celebration. There’s a bar, a DJ, and valet parking. And while it might not be obvious, there’s even a rainbow.

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About Chuck

West End Players Guild board member Chuck Lavazzi has been acting, designing sound, and occasionally directing theatrical productions since roughly the Bronze Age in Houston, Terre Haute, and, for the last four decades, here in his hometown. In addition to West End Players, he has appeared with Stray Dog, Metro Theatre Company, The Repertory Theatre of St. Louis, Midwest Lyric Opera, St. Louis Actor’s Studio, and even the St. Louis Symphony, where he narrated Peter and the Wolf. Favorite roles include Niels Bohr in Copenhagen, Oberon in A Midsummer Night’s Dream, Doolittle in My Fair Lady, and Chuck in Tomfoolery. Most recently he was seen in Kaufman and Ferber’s The Royal Family with Act Inc. His one-man show Just a Song at Twilight: the Golden Age of Vaudeville, presented at the Missouri History Museum was the opening production of the West End Players Guild’s 101st season. Chuck is the producer for the arts calendars and senior performing arts critic at KDHX-FM, the local correspondent for Cabaret Scenes magazine, and entirely to blame for the Stage Left blog at stageleft-stlouis.blogspot.com. He and his lovely wife Sherry live in a house that’s older than both of them put together in the historic and utterly charming Soulard neighborhood, where echoes of the Vaudeville era have never entirely died away.

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